Homeostase (2024)
The artwork is an installation that illustrates the critical issue of water depletion on the Djerba Island by using the natural process of salt crystal formation as a metaphor. The intense heat causes water to evaporate almost instantly, leaving behind intricate salt crystal patterns on overhead projectors. This phenomenon serves as a visual representation of the island’s struggle with diminishing groundwater reserves, despite its proximity to the Mediterranean Sea.
The installation features a mobile structure made from kite-building rods, suspending four carefully balanced funnels. These funnels drip a salt solution at a controlled rate, symbolizing the slow but persistent process of salinization. As the solution drips and evaporates, it forms crystals that project dynamic light and shadow patterns across the space. This captivating visual effect invites viewers to reflect on the beauty and fragility of the natural process while emphasizing the environmental challenges faced by the island.
At Borj Ghazi Mostafa, the weathered textures of ancient stone walls engage in a silent dialogue with ephemeral patterns of water droplets, mediated through the interplay of movement and light. Perched atop a partially ruined wall within a rectangular enclosure, an installation comprising overhead projectors and a mobile serves as the focal point. Circular glass objects rotate atop the projectors, orchestrating a mesmerizing kinetic display.
The installation offers two distinct vantage points, each yielding a unique experiential encounter. Ascending a long staircase, viewers are presented with an aerial perspective, revealing what appears to be a vast aquarium teeming with aqueous creatures and textures. Alternatively, immersing oneself within the space itself allows the projections to envelop the viewer, assuming monumental proportions and transforming the environment into an all-encompassing sensory experience.
STATEMENT
The work „Homeostase“ merges art, science, and the urgent narrative of environmental sustainability. Through this installation, we aim to foster awareness of the critical balance needed to sustain life on our planet, addressing the need for mindful water conservation and innovative solutions to preserve our resources.
KAI
Their integrated design studies at the University of the Arts Bremen allow them to expand their experimentation into fine arts and digital media.
— ILONA KARÁCSONY
Creative
PROJECTS
2024 Bremen (de), UNIVERSITY OF THE ARTS: Mnemosyne (concept writer, textile sculptor, installation builder)
2023 Bremen (de), UNIVERSITY OF THE ARTS: INTERPRET*INNEN KAMMER: Bunker Requiem (co-director, shadowplay performer, co-screenwriter, propmaker)
2019 Berlin (de), HAUS DES KULTUREN DER WELT / UNIVERSITY OF THE ARTS: Bootcamp: Humans Only (group performnace, costume designer)
STUDIES
Since 2022 Bremen (de), UNIVERSITY OF THE ARTS: Studies Integrated Design (Master Program)
2014 — 2019 Berlin (de), UNIVERSITY OF THE ARTS: BA Experimental Fashion and Textile Design
2013 — 2020 Budapest (hu), MOHOLY-NAGY UNIVERSITY OF ART AND DESIGN: BA Textile Design
— KAROLINE KETELHAKE
Creative
EXHIBITIONS / PROJECTS
2024 Hanover (de), SNNTG Festival: Quattro sexy e raggazzi
2024 Bremen (de), UNIVERSITY OF THE ARTS, Galerie Kleine Flut: In Aspik
2023 Hanover (de), SNNTG Festival: Window
2022 Volterra (it), LA NOTTE ROSSA: Sculptures
STUDIES
Since 2024 Bremen (de), University of the Arts: Studies Integrated Design (Master Program)
2019 – 2023 Hanover (de), University of Applied Arts: BA Visual Communication
2017 – 2024 Hanover (de), Leibniz University: Studies Chemistry
BIO
2024 Moved to Bremen (de)
2022 Moved to Hamburg (de)
2017 Moved to Hannover (de)
1997 Born in Springe (de)
LINKS
handlewithcare.hfk-bremen.de
ilonakaracsony.com
karolineketelhake.com
SOCIAL MEDIA
Instagram @hfk_exhibit
Instagram @ilona_karacsony
Instagram @k_ketelhake